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virtual_records [2013/07/30 15:15]
julien
virtual_records [2017/01/22 19:23] (current)
julien
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 ====== ONLINE FIBRR RELEASED ====== ====== ONLINE FIBRR RELEASED ======
 +
 +===== AUDIOBLAST V/A COMPILATION VOLUME II =====
 +
 +**(VIBRIRRR020)**
 +
 +<​html>​ <iframe src="​https://​archive.org/​embed/​audioblastvolume2&​playlist=1&​list_height=500"​ width="​500"​ height="​400"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​ </​html>​
 +
 +Audio in a network, Digital sound festival using the INTERNET as a venue for diffusing LIVE experimental,​ drone, noise, field recordings, sound poetry, electronic, contemporary music.
 +
 +The festival is streamed live online and in a quadraphonic sound system at the venue “La Plateforme Intermédia” in Nantes, France.
 +
 +The second festival took place in Feb/March 2014. Audioblast Festival #2 was curated by Julien Ottavi, Joachim Montessuis and organised by APO33. http://​www.apo33.org
 +
 +with:Strom Varx, Thor Magnusson, Soizic Lebrat & Jenny Pickett, Montex, Gael Segalen, Ryoko Akama & Minoru Sato, Sin:Ned, Ryo Ikeshiro, Philippe Cavaleri, Erin Sexton, Vitriol300, Cambia, Barg, Josep Manuel Berenguer, Antye Greie-Ripatti,​ Arrebato, Kwc, Le Verdouble, Michael Muennich, Shelly Knotts, Andy Bolus, ONsemble, Julie Rousse, Nerve, Julia Hanadi Al Abed, Fiona Lee, Keiko Uenishi, Germseed, Ana Maria Romano, Bonequi, Error:Wong, Elpueblodelchina.
 +
 +
 +
 +
 +===== MEDIAL AGES =====
 +
 +**(VIBRIRRR019)**
 +
 +{{:​laraperl.jpg?​300 |}}
 +
 +A Live AV Performance
 +
 +<​html>​
 +<iframe src="​https://​archive.org/​embed/​medialages&​playlist=1"​ width="​500"​ height="​250"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​
 +</​html>​
 +
 +Experimental electromagnetic power noise
 +Using D.I.Y. circuits: Oscillators,​ Timers, LDR, Solar Cells, Schmitt Triggers, Atari Punk Consoles, Light Sources (Projectors,​ Lamps, Strobes), Induction Coils & High Voltage devices (Tesla Coil). Natural low voltage components – such as solar cells – supply low output devices. The oscillators,​ based on the 555 chip, control 9V input and transform into sound. Optoelectronic oscillators are also used. Both produce a repetitively modulated wave that could be a sine-wave or square-wave. The light sources control the circuits modulating the signal, in other words, the light triggers sonic signals. In a sound/light integration,​ the modulation of tone activates an interactive system based on D.I.Y circuitry. It is a self-generated sonic machine creating a syncopated, high-pitched,​ noisy beep Moreover, the field emanated from the Light Electromagnetic Pulse (LEMP) creates interferences
 +captured by the induction coil. Afterwards, the circuits are amplified and use a Tesla coil as output. A DIY high-voltage device that makes the input signal turns into sound through the triggering of a plasma gas spark. Also, the Tesla coil interferes with the induction coils making audible the
 +electromagnetic field. The result is an a-rhythmic noise performance based on saturation and collapse. The triggering of the sonic signal through different media devices causes an innovative sound circuitry based in new bio-sonic materialism practices that try to move forward to cutting edge sound development. Medial ages performance investigates Simondon’s transduction effects, the same processes that occur when light stimulates brain waves. Suffice it to say that the process involves the intricate, split second operation of a complex system of signals between neurons and brain, or in that case, sound and light.
 +
 +Live Act
 +
 +Medial Ages
 +
 +London
 +
 +http://​netzzz.net
 +
 +===== COMPILADO CORAZON DE ROBOTA =====
 +
 +**(VIBRIRRR018)**
 +
 +{{:​compilado_robota.jpg?​500|}}
 +
 +Corazón de robota is a sound project composed only by handmade analog synthesizers and sequencers which are crafted from different materials like fabrics, electronic waste and chocolate boxes. These devices generate different frequencies which play randomly, exploring
 +the field of audible and inaudible frequencies as physical sensations, vibrations as cosmic messagesand the rhythmic dimensions of noise.
 +
 +[[http://​www.corazonderobota.tk|website]] ​
 +
 +<​html>​
 +<iframe src="​https://​archive.org/​embed/​CompiladoCorazonDeRobota&​playlist=1&​list_height=150"​ width="​500"​ height="​50"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​
 +</​html>​
 +
 +
 +===== AUDIOBLAST V/A COMPILATION VOLUME I =====
 +
 +**(VIBRIRRR017)**
 +
 +{{:​audioblast_fest1.jpg?​500|}}
 +
 +<​html>​
 +<iframe src="​https://​archive.org/​embed/​audioblast1&​playlist=1&​list_height=500"​ width="​500"​ height="​300"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​
 +</​html>​
 +
 +Online Audio Performances
 +
 +Audio Blast Festival is a no-festival within festivals. It’s a new invitation for musicians, sound artist and others noise makers to play live through the internet. This live music will be experienced in 2 venues, one in Bergen for the Piksel festival and the other one in Nantes at the Plateforme Intermedia / Fabrique as a physical node of Piksel festival.
 +
 +A chance to experience new forms of music created through Networked Performanes. 8 hours of intensive live audio flowing via Nantes to Bergen over 3 days of the Piksel Festival. more than 30 hours of music Including works from Sound artists, composers, musicians from around the world.
 +
 +All the live performance will be played on a quadriphonic sound system in both country. Audio Blast Festival is curated by Julien Ottavi and organised by APO33. www.apo33.org
 +
 +The first festival took place in November 2012
 +
 +with:
 +
 +THENOISER, Jason Kahn, VOMIR, cdrikcroll, STROM VARX, Alex Mclean, th-th, Brice Jeannin, Emmanuelle Gibello Scenophonie,​ Robert Piotrowicz, Roel Meelkop, Philippe F Roux, Shoï Extrasystole,​ Romain Zigani, Luc Kerleo, Julien Poidevin, Francisco Meirino, Benjamin Cadon, Zenial, pizMO, Carl Stone, Jenny Pickett, Francois Martig, PifPaf (Avatar), Joachim Montessuis, Marinos Koutsomichalis,​ Seth Cluett, Raphaël Ilias & Florian Tositti, Oscar Martin (Noish), Kazuyki Kishino (KKNULL), Mattin..
 +
 +===== CRISTIANO ROSA - MED =====
 +
 +**(VIBRIRRR016)**
 +
 +{{:​med_web.jpg|}}
 +
 +all pieces have created with differents diy devices handmade by Cristiano Rosa and collect along the 2012 and recorded directly in one take.
 +
 +year: 2012
 +
 +<​html>​
 +<iframe src="​http://​archive.org/​embed/​panetone&​playlist=1"​ width="​500"​ height="​300"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​
 +</​html>​
 +
 +
 +
 +
  
 ===== JOHN LEVACK DREVER - sanitary tones: ayre #​1[Airblade] ===== ===== JOHN LEVACK DREVER - sanitary tones: ayre #​1[Airblade] =====
Line 65: Line 165:
 http://​www.scenophonie.net http://​www.scenophonie.net
  
 +
 +===== KADET KUHNE - gradient wake =====
 +
 +**(VIBRIRRR013)**
 +
 +{{:​kadet2_gradientwake_albumcover-600x600.jpg?​300 |}}
 +
 +<​html>​
 +<iframe src="​https://​archive.org/​embed/​kuhne&​playlist=1"​ width="​500"​ height="​300"​ frameborder="​0"​ webkitallowfullscreen="​true"​ mozallowfullscreen="​true"​ allowfullscreen></​iframe>​
 +</​html>​
 +
 +All tracks composed by Kadet Kuhne
 +mastered by Ryan Kleeman
 +released by FIBRR Records
 +
 +
 +Intervallic – clarinet by Giselle Eastman, percussion and vibraphone by Suki O’Kane.
 +Quantum Tunneling – remixed by Kadet, original music by Christopher Willits, sampled from the album Tiger Flower Circle Sun (2010, Ghostly International),​ published by Overlap Music (ASCAP).
 +Prelap – vibraphone by Suki O’Kane, contributing sounds by Kent Jolly & Jonathon Ganzmann.
 +Distill – contributing sounds by Christopher Eickmann & Jordain Wallace.
 +Rite of Passage – percussion by Suki O’Kane, clarinet by Giselle Eastman, contributing sounds by Hilary Reed.
 +
 +Kadet’s most collaborative album release to date, Gradient Wake is slight shift in direction with many points of inspiration. Her background playing jazz guitar and listening to minimal composers is at the root, with particular influence by artists Chicago Underground Quartet, The Necks and Steve Reich. This album also reflects freshly formed, integrated relationships with the contributing musicians as well as her new family triad; spontaneous,​ improvised participation in which art and life mirror one another. A couple of the compositions on Gradient Wake were not only inspired by witnessing the birth of her son, they were also directly motivated by Kadet’s passion for the moving image; Distill, Quantum Tunneling and Fight or Flight were composed for videos by Kadet, Intervallic was composed for a Super 8 film by Paul Clipson and Rite of Passage was scored to a video by Krystof Pesek.
  
  
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-===== THE SCIE PROTOCOL =====+===== SOLAR RETURN (Ex-SCIE PROTOCOL=====
  
 "​Bed&​Hearts"​ - (VIBRIRRR003) "​Bed&​Hearts"​ - (VIBRIRRR003)
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 “The Bed” for the majority of us homosapiens is, in one form or another, the place where life is created and where life is brought to an end. Indeed, many of us will spend at least half our lives there. “The Bed” a place of so much human activity and seemingly inactivity, where imagination gives birth to new ideas, dreams solve unanswered questions, the territory of both beautiful and deadly passions. “The Bed” is witness to the raw desires an hidden dramas of the ongoing human dramas. “The Bed” for the majority of us homosapiens is, in one form or another, the place where life is created and where life is brought to an end. Indeed, many of us will spend at least half our lives there. “The Bed” a place of so much human activity and seemingly inactivity, where imagination gives birth to new ideas, dreams solve unanswered questions, the territory of both beautiful and deadly passions. “The Bed” is witness to the raw desires an hidden dramas of the ongoing human dramas.
-Jenny Pickett and Julien Ottavi explore the interia dimension of the bed's sonic space, it's reverberations with the flesh and metal pulses of the object and it's inhabitants.+Jenny Pickett and Julien Ottavi explore the interia dimension of the bed's sonic space, it's reverberations with the flesh and metal pulses of the object and it's inhabitants.àà 
 +Bed&​Hearts includes recordings, made during pregnancy using ultrasound sensors, which capture the sounds of their unborn son Marlon (2008).
  
- 
-. 
 <​html>​ <​html>​
-<body> +<iframe src="https://archive.org/​embed/​bed_hearts_piece_Pickett_Ottavi_master1&​playlist=1&​list_height=150" width="​500" height="​300" ​frameborder="0" ​webkitallowfullscreen="true" ​mozallowfullscreen="true" ​allowfullscreen></iframe>
-<object type="application/x-shockwave-flash" width="​400" height="​170" +
-data="xspf_player.swf?​playlist_url=playlist3.xspf"+
-<param name="movie" ​ +
-value="xspf_player.swf?​playlist_url=playlist3.xspf" ​/> +
-</object> +
-</body>+
 </​html>​ </​html>​
- 
-. 
  
 buy it on CDr - 10€ buy it on CDr - 10€
virtual_records.1375190152.txt.gz · Last modified: 2013/07/30 15:15 by julien