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If I understand correctly–something always in doubt–BOT is a program more or less designed by/under control of Julien Ottavi which takes as input multiple sources ranging from mics planted at various locations in and around Nantes to specific inputs from individuals then, using its own internal algorithms, transforms them into an output at its own discretion. I don't know whether the program undergoes any kind of “evolutionary” enhancements, if it learns from previous work (or reactions to same) or whether it simply sits there, processing and regurgitating, 48 minutes of which, sampled from September 2012 through January 2013 is offered here.
I doubtless would have taken this for an intentionally processed field recording if I didn't know otherwise, the shards of recognizable sounds (birds, insects, sirens, etc.) sliced and diced with electronics and, presumably, sounds rendered into shapes at a great remove from their source. And it would be a pretty good one. Everything's thick, sinewy and variegated, everything flows. There are the occasional semi-cliched electronic squiggles and the sounds themselves aren't especially unusual, but the stew is tasty. Is this partially because of a lack of human (routine) choices being made in the work's construction? I'm tempted to think so but again, I'm not clear on exactly how much, if any, flesh and blood interaction there is. Better to just relax and enjoy and BOT, whether neuronal or circuitry, does a pretty decent job of it.